and I noticed the maker's name on the fallboard is covered by masking tape. It looks like the Steinway lyre above it so I wonder why they did this? I heard that Gould tinkered with the action of his pianos to make them sound more harpsichord-like; perhaps Steinway didn't want people thinking that was how their pianos were meant to sound, otherwise why tape over the name? Similarly, on the 1982 Goldberg recording he played a Yamaha but you'd never know because the fallboard's been removed. That's a bit strange, right? I've tried finding out why he did this but so far drawn a blank. If I don't find out something soon I'll be forced to go out and make some friends - still, I'm sure other people would love to hear all about it
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